Taking a Break

And so it has come to be, where I have arrived at a place in my life where it would be best for me to let go of all the business baggage that has, unforeseen, become an energy drainer, keeping me from doing what I once was able to do effortlessly.

It's curious how this has come to be - so gradually overtime, even unnoticed for the most part, until before I knew it (or was it until I paid attention?), my easy ability to paint passionately, and for myself, without any regard for the business side of it all, is no longer. I've tried scheduling in studio time, painting in the studio I love, but despite this attempt the passion has not reemerged and the arguing with the inner voice continues.

Thus, the following list is the business baggage I am going to take a break from. For by doing so, I will be accepting and embracing the path I am on right now. It is what I want to follow as it is where I will find my ability to tap into the energy of creative expression; to get back to what is in my heart, to the ability to paint for myself, to enjoy the process so much so, I lose all sense of time, myself, and the world around me.

This path is a hiatus if you will, but nothing takes forever  :)
So until next time, take good care - xo


And without further ado, as of September 30, 2013, I am giving myself permission to officially take a break from:

1. Writing and sending out my e-news,
2. posting on my blog,
3. facebook,
4. plus any other social media I haven't done.
5. Applications and calls for art,
6. dates, deadlines,
7. lists of must dos and to dos,
8. not to mention anything & everything else I haven't yet thought of in relation to.
9. What my tax accountant will think of next year when he sees my income for this year,
10. and what other people will think:
1. when they look at my new work, 
2. look at my old work, 
3. when I'm not applying for shows or working towards shows or in shows, 
4. if I'm not painting every day or every other day or every week, 
5. if I'm not marketing or sharing any of my artistic thoughts, inspirations, ideas, progresses with anyone or everyone, through social media or not.
11. Worrying about what's going to happen to the people who are on my mailing lists during this hiatus 
12. and worrying about what to do with all of the artwork I've created.
13. In general, any obligations and expectations that weigh upon my shoulders and fill up my head.

I had an idea and it involved a mock-up

I have found taking the time to do a mock-up certainly helps in the short and long run of things. I tend to, over the course of my day outside of the studio, noodle around my artistic ideas, checking it all out, seeing if what I'm thinking fits and figuring out how to next proceed. If I throw a mock-up into the mix, I can more accurately move into my next step. I'm finding it to be much more time efficient overall, plus it's a way for me to feel like I'm being productive as I have something to show for all of the noodles!  :)

Below shows case in point. I cut samples of different materials (see previous post) and combined them in their desired order, securing them at the top with a brad. Now having done this, I see I need to add another 1/8" to the overall length to give a bit more room for text under the samples. I passed this important tidbit onto my person who will begin formatting the booklet this next week.... Stay tuned!

An awl is on of my favorite tools......

A Bright Day!

The day finally came when the new light system for my home studio was going to be installed. It was so very exciting watching the transformation take place in just a couple of hours!

First, the heavy looking and so-very-not-attractive fan light that I burnt out (I accidentally overheated the system with higher than ideal wattage - I was just trying to get more light!) had to come down.

Next came the assembly of the parts.

The curve of the rail was created next 

(I wanted a very soft organic like "s").

Requiring 4 hands the system was then put into place.

Final tweaks,

additions,

and then, there was light!

I absolutely love the end result. 

All the waiting was definitely well worth it!   :)

Charm

I have been working on pulling together my portfolio of over 50 different Organic Digital Designs. It has been quite a process, but one I am enjoying. In addition to a new website (will be completed this month) and the master ODD portfolio I can share in person, I have also decided to have a substrate sample booklet that will go out to selected designers, upholsterers, and the like. I am looking forward to getting my work out into the world on a larger scale  :)

The booklet has been designed (is currently in the process of creation) and will house the different options of fabrics and wallcoverings to choose from. Each substrate will showcase my below pattern, Charm, which was created from my original oil, Grace of a Turnip.

detail.....

repeated....

Checkmarks, highlights, circles and more

The list of paintings and their newly titled patterns

 I wanted to share the visual process of what I had just completed the other day at exactly 12:00 noon (the timing of it's completion couldn't have been better!).  It was quite a process, but one I enjoyed and found immense satisfaction in. 

The completed list includes 25 oil paintings and 53 different patterns. Some of the patterns stand alone under each painting, while others coordinate with others from the same painting. And I was reintroduced to still others that are a possibility of becoming a new addition to my portfolio down the road.

The end result, not only of the visual portfolio I'll have in hand to show and tell, can also be found on my computer. My organizational skills (thankfully!) showed up for the job and I love how easy it will now be to find what I need. There was a short time ago when this was not the case due to perhaps laziness or the desire to not be at the computer any longer than I need to be or the molehill that had grown into a huge mountain of undertaking! (case-in-point: the green highlighted titles above - the patterns I remember so clearly creating for each where missing in action! I did eventually find them.....)

I also found I have learned a ton about creating these patterns since the beginning and found that some of my earlier original files needed some TLC. All in all, it's all coming together. With this part near completion, updating my website to reflect all 53 possibilities is now on the to-do list  :)  Stay tuned!

A Time for Patterns

 

I decided to finally take the time to pull together all of my patterns that I have created over the years from my original oil paintings. I have a portfolio designed (to be constructed locally in Minneapolis) and materials have been ordered ~ everything is coming together! As I have been figuring out the layout and putting names to each of my patterns, I unexpectedly found/was reminded how much I enjoy the work I have done. It has been fun to revisit the stories in the layers of oil and to see how I interpreted them into pattern.

I can hardly wait to have this tool to share with everyone! As always, stay tuned  :) 

Stretching my brain a bit

So my dear artist friend, Trisha, came out the other day. As I was showing her what I have been working on in the studio, she started musing about the idea of combining various components that I have between my different mediums - all into one piece. 

One idea she invited me to explore was the use of patterns in my encaustic paintings. This is something that was not entirely new to me as I had combined my Organic Digital Designs that first weekend I was introduced to encaustic. But as in all things, I, and my work, had grown/evolved since then and that perhaps, just perhaps, the marriage of the 2 would be different this time around.

Over lunch we continued the conversation (and I have to say I was warming up to her suggestion and could visualize the idea!) and later she waved good-bye with a firm go and play in the studio!

And so, following her direction, I printed out in varying scales, a couple of different patterns, complimentary to each other. I then cut out shapes and sizes that worked with the direction I had in mind.

After a couple of trys, "playing" as she called it, and what I so want to embrace, (I'm trying to not create a perfect (in my mind, reaching my high standards) piece every single time the first time around. I'm trying to instead embrace the idea that less-than-what-I-hope-for is just fine - especially if I am exploring, getting messy and just plain having fun!).

 I share with you the piece below, My Tiny Little House on a Hill with a Patterned Sky......

and here's a detail. I do have to say I'm especially pleased with the textural hill - with the varying values of green  :)  What do you think???

I have to say that my head hurt by the end - it did feel like a lot of work to stretch my comforts and play! and so I felt the need to end my studio time with a bit of cheerful comfort.....

P.S. since then, I have been noodling around in my head what I feel I learned from this day of play. I am looking forward to continuing this thread and am curious to see where it leads me.  As always, stay tuned!  :)

Footstool Trio

 I was brainstorming with my dear artist friend, Patty, during one of our recent monthly meetings and the idea of footstools for an upcoming Home Show at the Bloomington Art Center came to be.

  

So with a girlfriend, I went footstool hunting last week and scored! Above you can see the treasures found. Perfect in size and variety (not to mention condition of the wood!) these are the perfect foundation  for my fabrics.  I'm quite excited!

 And this one even opens up! I'm thrilled as I'm able to keep the interior material (a beautifully aged black and white pattern on heavy paper) as it is still in good condition and works with the newly chosen exterior fabric.

I do not know how old these footstools are. I do wish they could talk! Wouldn't you love to know their stories? When I dropped off the fabrics and trims yesterday, my favorite upholsters had started taking the old fabric off. The picture below shows the innards, horsehair and all....

Stay tuned for the end result!

Oh! I have an idea....

Don't you love it when you say yes to something even though you don't know at the time what you'll do with it? This was the case on the chair you see to the left. My dear friend and fellow artist, Patty Carmody-Smith, picked it up along side the road with me in mind. Granted I was taken with it's wooden curves, but I really didn't know what I would do with it, much less than when I would do something with it.....

I can hardly wait to show you! I'll just say it involves red, black and white. Stay tuned!