The balancing of details

As I may have referenced/suggested/hinted at in previous posts, I'm drawn to detail and most often, lots of it. I decided to explore in my current works in progress, paintings in abstractions, the combination of detail and no detail. 

Shown below are 2 of the 4 (actually the ones I am most pleased by, at least, in this stage of the game) paintings I'm working on - the latest layers of ideas from the other day. I'm liking the bit of small detail amidst the larger splotches of color and forms......

 What do you think?

The detail is somewhat leaf and fish like, I think  :)

 A portion of the larger painting, the detail (captured a bit too dark??) here reminds me of a bubbly waterfall.....

Though some may consider these complete, I know there are many layers yet to do - both in detail and in not. And because I have not been able to actually sit down and paint much lately, I have been instead painting in my mind (a curious idea and certainly one that is not messy!) so that I know how I will proceed next time I'm actually able to pick up my paintbrush and paint.

So as always, stay tuned. I am looking forward to seeing if what I see in my mind can translate on over to reality!

I'm in love!

A couple of weeks ago I picked up my Tiny Little Houses from the Northfield Arts Guild. Before I departed I stopped into their Main Gallery and feel in love immediately with drawings completed in graphite by a local Northfield artist. 

Inner World by Mary Rose Gondeck

I was drawn to the so very intricate detail and beautiful organic forms, all in subtle and varying shades of warm grey. In some ways they reminded me of my own detailed oil paintings - full of creatures and stories waiting to be heard. They were indeed a world of their own. One I would absolutely love to visit and explore, wondering and wandering my way through....  I can almost imagine stepping into it all, but will need to instead be content with exploring these two-dimensional creations with my eyes only.

I had an idea and it involved a mock-up

I have found taking the time to do a mock-up certainly helps in the short and long run of things. I tend to, over the course of my day outside of the studio, noodle around my artistic ideas, checking it all out, seeing if what I'm thinking fits and figuring out how to next proceed. If I throw a mock-up into the mix, I can more accurately move into my next step. I'm finding it to be much more time efficient overall, plus it's a way for me to feel like I'm being productive as I have something to show for all of the noodles!  :)

Below shows case in point. I cut samples of different materials (see previous post) and combined them in their desired order, securing them at the top with a brad. Now having done this, I see I need to add another 1/8" to the overall length to give a bit more room for text under the samples. I passed this important tidbit onto my person who will begin formatting the booklet this next week.... Stay tuned!

An awl is on of my favorite tools......

A Bright Day!

The day finally came when the new light system for my home studio was going to be installed. It was so very exciting watching the transformation take place in just a couple of hours!

First, the heavy looking and so-very-not-attractive fan light that I burnt out (I accidentally overheated the system with higher than ideal wattage - I was just trying to get more light!) had to come down.

Next came the assembly of the parts.

The curve of the rail was created next 

(I wanted a very soft organic like "s").

Requiring 4 hands the system was then put into place.

Final tweaks,

additions,

and then, there was light!

I absolutely love the end result. 

All the waiting was definitely well worth it!   :)

Charm

I have been working on pulling together my portfolio of over 50 different Organic Digital Designs. It has been quite a process, but one I am enjoying. In addition to a new website (will be completed this month) and the master ODD portfolio I can share in person, I have also decided to have a substrate sample booklet that will go out to selected designers, upholsterers, and the like. I am looking forward to getting my work out into the world on a larger scale  :)

The booklet has been designed (is currently in the process of creation) and will house the different options of fabrics and wallcoverings to choose from. Each substrate will showcase my below pattern, Charm, which was created from my original oil, Grace of a Turnip.

detail.....

repeated....

I don't know how to paint!

This is a thought I expressed the other day. My husband just shook his head at me in disbelief. But sometimes this is how it feels as I pick up the brush and look at my palette of color, somewhat doubtfully and undecidedly. But as with all thoughts (well, the majority!), I let go of this one, and dove in.

Each of the 4 paintings progressed nicely with the layers I added (see below). And I can see the path/direction that each will take me (well, to some extent. I'm sure there will be detours along the way as I work my way along.). Regardless, the feeling of intent, the idea of knowing what it is I'm going to do next, is quite welcome. I look forward to my next studio day!

So as always, stay tuned. I will keep you posted  :)

12" square, oil on panel (hanging on an old door to dry - thus the black handle on the right)

10" square, oil on panel (this is currently my favorite)

12" square, oil on canvas

8" square, oil on panel

First of the New Year

The beginning, there is always one....

....trying to recall what I learned, but still be in the moment of true expression.... 

....without a care in the world, and yet caring so much for a positive ending....

I finally took the time to paint the other morning. It had been months, but with an art show, a trip to Costa Rica, 2 holidays thrown in (hosting and being hosted), moving out of my NE studio, moving into/rearranging/organizing my home studio, plus life in the midst of it all, the stars and paintbrushes were finally aligned.

 I felt a bit like a fish out of water. Everything from figuring out the location of my palette in my new working space, to trying my new painting medium, to the messy oil painted mess I created (I was quickly covered with oil paint  - it covered paper towels, hands, camera, brushes - and thankfully, yes, canvas). It felt good though, and I was quite excited by having bridged the first painting session of the year.

I started 4 paintings, 3 on cradle board (so different than canvas to paint on! - obviously with no give and such a very smooth surface (unlike my previous wooden canvas of old doors and reclaimed wood)), and 1 on stretched canvas. I photographed as I went trying to find the balance in black and white tones despite painting in color.

There was the obvious pleasure of creating again, but I did walk away with a "what now?!" feeling. Granted more layers are to come for each of the above, but I felt the need for something more... something more like my other oil paintings. I wanted to see the details of a story, I wanted to tell a really good story to you, the viewer. 

I'm curious about this line of an idea..... and am noodling it around regularly....  trying to find the answers to the questions (i.e. how do I incorporate a bit of each style into one painting?) 

Hmmmmm..... so as always, stay tuned!