Graduation!

October's posts were nearly all about the process of learning how to paint abstractly. I do realize by skipping ahead and sharing the end results below, you will not see each painting's process spelled out (as I haven't (and truthfully am no longer inspired to) continued what I started then, posting each day's experience).....  Perhaps you, yourself, can instead connect what you see below with what was in earlier posts?

So without further ado, please let me introduce my latest body of artistic exploration, oils on canvas: 

Hopscotch

A Seesaw with Inchworm

Dance of the Fireflies

Warthog and the Volcano

String Being

Blossom

I'm looking forward to taking what I learned throughout and continuing on my own for the time being. I definitely am planning on taking her class again for a refresher and/or when I find I'm in need of a bit more of something. As always, stay tuned  :)

Changing up the Studio

It's been a whirlwind this last month - Art Attack, Costa Rica, Thanksgiving and the move of my studio from NE Minneapolis to my home.  The latter event started a couple of months ago when I decided (with the help of the following): 

1. No decision is a permanent one (who knows what the future will bring!),
2.  "A life lived in fear is a life half lived."(one of my favorite quotes), 
3. and deciding what I didn't want in my life anymore (a studio outside of my home (studio)), 

to take the leap out of the commitment of having a studio outside of my home and gave notice. Yes, it was nerve-racking leading up to the decision, and at times I couldn't help but second-guess it all after my verbal notice. But now I'm thrilled with this new direction (and so inspired by it!) and am in the happy midst of consolidating, organizing and going through all that I brought home.

Glorious drawers waiting for attention

Somewhat in place and ready

What's Black and White and can be Read all over?

Give up? It's a black and white photograph of an abstract painting!   :)  (perhaps a poor riddle, I realize!) My instructor said there is a reason why a painting would be reproduced in black and white. It is for the viewer, perhaps a student such as myself, to be able to see the balance and rhythm of it all without being influenced by color used. Of course that made sense!

And as I had my camera on me, I excitedly decided to give it a try. For the first time in this way, I used my camera as a tool. I set the setting to black and white so that when I looked through its lens the colors within a painting were no longer. As a result I found I was no longer influenced by the color I had chosen and found instead a surprising amount of neutral, unexciting, undramatic gray.......

Here are a couple of paintings and what happened along the way in class #6:

I was surprised to see how grey/neutral this was without color!! What I thought was bold and drama really wasn't working, at least not for me..... and so I decided to shake things up a bit......

It didn't take long before I had created some dramatic darks and lights. The grayness was disappearing...... 

This is the end of my work with this piece for today. Definitely a step in the right direction, I think. I'm curious to see it in color (which I imagine sounds strange as you would think I would be noticing the color as I'm actually painting with color and not with black and white. But now I am really able to use color to create depth (in values of gray through my camera's lens) in a very different way than before!)

Here's another:

This is the painting referenced in my post about class #5......

and the magic beings, layer by layer.....

I had no idea the variety of shades of gray I could achieve through the use of color!

And so the fun continues.....

layer by layer, value by value, a push and a pull

by large and small, papa bear, mama bear, and baby.....

inviting the eye to come and stay for (a long) while......

Stay tuned! I look forward to sharing what I learn next  :)

Abstract Painting - Class #5

I walked out of class #5 having been introduced to the idea of creating "drama" and "boldness" with the brush and color. The idea is to have bold drama consistently throughout, to invite the eye and keep it interested. Now, that is the idea, which I found to be much easier said then done.....

The above image is a detail of a larger work in progress - according to my teacher, this shows exactly what is meant by "drama" and "boldness".  The image below is the full painting, which shows what isn't there, what is missing throughout the rest of the piece..... I am now able to see the difference!

Checkmarks, highlights, circles and more

The list of paintings and their newly titled patterns

 I wanted to share the visual process of what I had just completed the other day at exactly 12:00 noon (the timing of it's completion couldn't have been better!).  It was quite a process, but one I enjoyed and found immense satisfaction in. 

The completed list includes 25 oil paintings and 53 different patterns. Some of the patterns stand alone under each painting, while others coordinate with others from the same painting. And I was reintroduced to still others that are a possibility of becoming a new addition to my portfolio down the road.

The end result, not only of the visual portfolio I'll have in hand to show and tell, can also be found on my computer. My organizational skills (thankfully!) showed up for the job and I love how easy it will now be to find what I need. There was a short time ago when this was not the case due to perhaps laziness or the desire to not be at the computer any longer than I need to be or the molehill that had grown into a huge mountain of undertaking! (case-in-point: the green highlighted titles above - the patterns I remember so clearly creating for each where missing in action! I did eventually find them.....)

I also found I have learned a ton about creating these patterns since the beginning and found that some of my earlier original files needed some TLC. All in all, it's all coming together. With this part near completion, updating my website to reflect all 53 possibilities is now on the to-do list  :)  Stay tuned!

Home Sweet Home

8" x 6" encaustic and mixed medium on wood

A couple of months ago, my good friend, Patty, thought of me and my Tiny Little Houses and offered to put me into contact with Ecumen, a local non-profit specializing in senior housing. She had been contacted by them in regard to their gala, "No Place Like Home" that will be taking place the beginning of November.  At that time, Ecumen will be celebrating their 150th anniversary and having a silent auction to raise money for their Awakenings Project. 

I immediately came up with a visual idea upon hearing about it all. The image above shows the completed piece.... and I have to say, it did indeed seem to be a perfect fit for the cause    :)

A Time for Patterns

 

I decided to finally take the time to pull together all of my patterns that I have created over the years from my original oil paintings. I have a portfolio designed (to be constructed locally in Minneapolis) and materials have been ordered ~ everything is coming together! As I have been figuring out the layout and putting names to each of my patterns, I unexpectedly found/was reminded how much I enjoy the work I have done. It has been fun to revisit the stories in the layers of oil and to see how I interpreted them into pattern.

I can hardly wait to have this tool to share with everyone! As always, stay tuned  :)