Closet Transformed

This winter has been one of complete reorganization. Starting with my home studio, moving to the laundry room, the kitchen drawers, my personal closet, nearly all of these catch-alls are showing my touch. I think? the last of these is the large closet downstairs. A major catch-all for everything, I decided it would be better put to use for storing art. 

I brought my idea to my dad who has the talents of combining both scientific mathematical skills with creative ones. He thought it doable and I sent him my specifications (hopefully correct measurements, sitting up above the ground (in case of unwanted water), dividers to keep artwork upright, and carpet to protect frames as they are slid into place). This last weekend he brought the piece over and installed it.

And I have to say it's perfect! I'm quite excited to fill it with all of our mat board, foam core, unframed and framed artwork and photographs. But first, I'm inspired to patch the holes and paint the walls (is that really necessary for a closet?  will the artwork even know/appreciate this extra touch?)... and thus I feel the dishevelment in the outlining rooms will need to wait a bit longer until this inspiration is laid to rest.....

My dad on top of the backside of the cabinet -  he created 2 pieces
(currently face down, side by side)  in order to fit through the closet doorway.

He then screwed the 2 cabinets together in the back so
that the entire unit would be one.

Lifted and pushed back into place, my husband and dad put
the finishing touches also into place. Okay, artwork, here I come!

Russian Iconography

Andrei Rublev, Trinity, c.1400

One of my favorite forms of art is that of Russian Iconography. I was only familiar and in love with the exquisite detail of their small oil paintings on wood (an example shown above). My relationship  grew and my appreciation deepened last week when I was introduced to a new exhibition of work at the Russian Art Museum. Just as exquisite in miniature detail, the imageries were not painted, but instead cast in copper alloys such as brass and bronze. A few were then decorated with gilding and enamel.   

While I learned about the history of Russia back then and the people who created these wonders, I also caught a glimpse of Artists' perspectives on creating their works. Not only did they embellish the fronts of a casted cross with detail and story, so they also paid attention to the backside with complimentary imagery. I loved being able to see some casts where both sides were exposed to me! And then knowing this unseen side existed, I loved the mystery to other casts throughout the exhibition where the backside was hidden.

This has gotten me thinking. As I have recently come across (in combining my studios) works in progress (specifically tri-fold paintings) where the story could so easily be suggested on the outside of the piece - complimenting what is going on within. I am eager to explore my works in progress further (perhaps this idea is what was needed for me to move a work in progress to completion?!) with what I have witnessed and learned from these 18th-20th century artists (thank you!). I look forward to sharing with you what comes about from this recent influence.......

Prepping for tomorrow's painting day

Ready to go!

I'm looking forward to pursuing the ideas that have been tumbling around in my mind since before our travels. I pulled out the wood cradles this morning, looking and feeling for the 'right' size. The ones shown here are the winners - I figure they can be both horizontal and vertical in nature....

Abstracted, yet detailed

I don't always gravitate to paintings that I would consider abstract in nature. Yet the work of Barbara Krupp caught my eye the other day at the Uptown Art Fair. At first glance I saw blocks of color, but as I looked more closely, my eye also saw the layers of paint, the textural brushstrokes - all of which made up the whole. And to my delight I also saw the unexpected - a so very soft line, delicate and flowing, full of character that ebbed and flowed in and out of the layers of paint. I found it all so very inspiring....

Time is like an onion....

and so it was stated in the New York Times. Okay, I admit, it wasn't actually exactly like that.... I was reading the Weekend Arts Section on New Years Day and found myself drawn to the title of an article, "Time, the Infinite Storyteller". As I am curious about 'time' and I thoroughly enjoy stories, I started reading. A couple of paragraphs into it I came across "....art is loaded and layered with different forms of time and complexly linked to the past and the present and even the future. The longer they exist the more onionlike and synaptic they become." What a perfectly appealing image I hold in my mind now! The linking of art and onion and time together as one! And curious (and so accurate!) is the idea of art depicting time in a myriad of ways....

On a similar side note: I have to say, my own paintings are made up of many layers, much like an onion and encapsulate stories from the past and the present......